
This post is not specifically about the chalet, the beach, or the cliff in general but it tells you what I’ve been preoccupied with for the last few months. Some of you will know that I’ve taken myself off to university again – again! I never went in the first place. I got my degree in theatre arts from a drama school and the course was very much geared up to the practicalities of theatre and not the theory. Now I’ve gone back I have the experience of over 20 years making theatre but not the experience of the academic analysis. I’ve been battling away since October 2012 with literary reviews and extended essays and project proposals, but, although I wont pass with flying colours if my writing has anything to do with it, I have finished my research module. My main preoccupation is now to make a performance. I knew what I wanted to engage with when I went back last October, it had to be research into performance in non theatre spaces and I specifically wanted to look at the synagogue in Plymouth. The Plymouth Synagogue is the oldest Ashkenazi Synagogue in continuous use in the English speaking world. Just re read that sentence again because it takes a while for it to compute. Yes that’s right, the oldest; dating from 1762, in fact, last year it celebrated it’s 250th anniversary. It’s such a hidden history for Plymouth that I wanted to do a piece about it. Whilst researching we went to stay with good friends in Nottingham and met a theatre director whose ancester is buried in the old Jewish cemetery on the Plymouth Hoe. He also told me that the executive director of the Jewish Museum in London was Abigail Morris, a theatre director who I had worked with 20 years ago. I went up and met her and had a fantastic morning with her in the museum and talked about our work 20 years ago. That was the first production of Kindertransport by Diane Samuels for the Soho theatre and it has gone on to be a world wide success, of course it isn’t a coincidence that the play has a Jewish theme.
I’ve been interviewing some of the congregation and reading their newsletters in the Plymouth records office and generally trying to get a feel for what I might focus the performance on. I have decided to create a coffee morning based on the Ladies Guild, that had its hay day in the 1960s and 70s. The interviewees will remain anonymous but their words have been used for my script. I decided on this method of gathering material as I can’t claim to be a playwright in any way. There will be more than one strand of the story and I will weave our fascination with heritage and ancestry through the performance including my own possible Jewish roots!!! I have created the role of Vera Jockleson as the chair of the Ladies Guild who is an imaginary character within the piece but I reveal who she really is at the end.

Coffee with Vera in the Vestry is a cultural conversation. I will share some anecdotes, introduce some characters, show some things and give some insight into the building. It will be performed in the vestry of the Plymouth Synagogue on May 22nd @ 3pm and 7pm and May 26th @ 12 noon. I will also be performing it on June 30th at the Jewish Museum in London.

Coffee with Vera is part of Plymouth University’s Humanities and Performing Arts Showcase within the Plymouth History Festival, May 2013.